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Connectionist representations of tonal music : discovering musical patterns by interpreting artificial neural networks
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ISBN: 1771992212 1771992204 9781771992213 9781771992220 1771992220 9781771992206 9781771992237 1771992239 9781771992206 Year: 2018 Publisher: Edmonton, Alberta : AU Press,

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Intended to introduce readers to the use of artificial neural networks in the study of music, this volume contains numerous case studies and research findings that address problems related to identifying scales, keys, classifying musical chords, and learning jazz chord progressions. A detailed analysis of networks is provided for each case study which together demonstrate that focusing on the internal structure of trained networks could yield important contributions to the field of music cognition.


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The role of music in European integration : conciliating eurocentrism and multiculturalism
Authors: ---
ISBN: 3110477556 3110479591 9783110479607 3110479605 9783110479591 9783110477528 3110477521 9783110477559 Year: 2017 Publisher: De Gruyter

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The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensembles, events, musical organisations and ideas; questions of unity and diversity from Bergen to Tel Aviv, from Lisbon to Baku; and deals with the tension between local, regional and national music within the larger confluence of European music. The status of classical and avante-garde music, and to a degree rock and pop, during Europe's development the past sixty years are also reviewed within the context of eurocentrism - the domination of European music within world music, a term propagated by anthropologists and ethnomusicologists several decades ago and based on multiculturalism. Conversely, the search for a musical European identity and the ways in which this search has in turn been influenced by multiculturalism is an ongoing, dynamic process.


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Ethnomusicology Matters : Influencing Social and Political Realities
Authors: --- --- ---
ISBN: 3205232879 3205232860 Year: 2019 Publisher: Böhlau

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This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social and political realities. An important field connected to political relevance is heritage, either in connection with the UNESCO or with archives. Ontologies of indigenous groups and their relevance in knowledge production is discussed in ethnomusicology nowadays as well as the possibilities of decolonising the discipline. Two articles from ethno-choreology explore dance from the gender perspective and in the post-socialist political structures. Different approaches from applied ethnomusicology deal with social justice, participatory dialogical practice, and the socio-political relevance of performance. Forced migration is seen as comprehensive topic for future ethnomusicology. The contents of the book mirror influential discourses of ethnomusicology today that will definitely shape the future development of the discipline.


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Good Vibrations : Brian Wilson and the Beach Boys in Critical Perspective
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ISBN: 0472902385 Year: 2016 Publisher: University of Michigan Press

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Good Vibrations brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one the most successful and influential pop bands of the twentieth century. The book covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hit single "Good Vibrations" -to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer.


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Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music
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ISBN: 0472902377 Year: 2016 Publisher: [s.l.] : University of Michigan Press,

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In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams. The term "underground music" as it's being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that's noisy and exploratory in sound and that's largely independent from both the market and from traditional high art institutions. In this book, by outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism.


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Ludwig Senfl : Motets For Four Voices (N-V). New Senfl Edition 2
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ISBN: 3990128035 Year: 2022 Publisher: Wien : Hollitzer Verlag,

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A Language of Song : Journeys in the Musical World of the African Diaspora
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ISBN: 1478090715 Year: 2009 Publisher: [s.l.] : Duke University Press,

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In A Language of Song, Samuel Charters-one of the pioneering collectors of African American music-writes of a trip to West Africa where he found "a gathering of cultures and a continuing history that lay behind the flood of musical expression [he] encountered everywhere . . . from Brazil to Cuba, to Trinidad, to New Orleans, to the Bahamas, to dance halls of west Louisiana and the great churches of Harlem." In this book, Charters takes readers along to those and other places, including Jamaica and the Georgia Sea Islands, as he recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean. Each of the book's fourteen chapters is a vivid rendering of a particular location that Charters visited. While music is always his focus, the book is filled with details about individuals, history, landscape, and culture. In first-person narratives, Charters relates voyages including a trip to the St. Louis home of the legendary ragtime composer Scott Joplin and the journey to West Africa, where he met a man who performed an hours-long song about the Europeans' first colonial conquests in Gambia. Throughout the book, Charters traces the persistence of African musical culture despite slavery, as well as the influence of slaves' songs on subsequent musical forms. In evocative prose, he relates a lifetime of travel and research, listening to brass bands in New Orleans; investigating the emergence of reggae, ska, and rock-steady music in Jamaica's dancehalls; and exploring the history of Afro-Cuban music through the life of the jazz musician Bebo Valdés. A Language of Song is a unique expedition led by one of music's most observant and well-traveled explorers.


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Sounding the Indian Ocean : Musical Circulations in the Afro-Asiatic Seascape /

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A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be "heard" outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm-which has long cast Africa, the Middle East, and Asia as separate musical cultures-the book shows how music both forms and crosses boundaries in the Indian Ocean world.


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Nigerian art music : with an introductory study of Ghanaian art music.
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ISBN: 9782015385 2821819722 9791092312133 Year: 1995 Publisher: Ibadan IFRA

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ART MUSIC IN NIGERIA is the most comprehensive book on the works of modem Nigerian composers who have been influenced by European classical music. Relying on over 500 scores, archival materials and interviews with many Nigerian composers, the author traces the historical developments of this new idiom in Nigeria and provides a critical and detailed analysis of certain works. Written in a refreshing and lucid style and amply illustrated with music examples, the book represents a milestone in musicological research in Nigeria. Although written essentially for students and scholars of African music, this interesting book will also be enjoyed by the général reader.


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Twenty Israeli Composers : Voices of a Culture
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ISBN: 0814344240 0814344259 Year: 2018 Publisher: Wayne State University Press

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Israel's contemporary art music reflects a modern society that is an intricate fabric of national and ethnic origins, languages and dialects, customs and traditions-a heterogeneous culture of cultures. It is a rich and distinctive environment-at once ancient and modern, spiritual and secular, traditional and progressive.Twenty Israeli Composers, the first published collection of interviews with Israeli composers, explores this developing and distinctive music culture. The featured composers have earned distinction in Israel and abroad, and reflect the pluralism of Israeli art music, culture, and society. In first-person narrative, they discuss the interaction of inspiration, method, and cultural context in their work, revealing both international and national influence and scope. Three generations of contemporary composers-immigrants from Central and Eastern Europe, North and South America, and naïve sabras- share their ideas about music, the creative process, and their experiences as artists living and working in Israel. Robert Fleisher furnishes a biographical sketch of each composer, followed by a summary of recent accomplishments. The book also includes a bibliography, discography, and information for further study.

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